Sean Howe’s Marvel Comics: The Untold Story went on sale this week and Grantland has a giant excerpt from the book. There are interesting tidbits about politics and character creation, but I liked this about Marvel’s attempt to attract female readers.
Although he was no longer president, Lee remained publisher of Marvel Comics â€” and, once Chip was gone, publisher of the magazines, too. Increasingly, though, it fell to Roy Thomas to bridge the widening gap between business and editorial interests. One of Thomas’s first responsibilities as the new editor in chief had been to bring further diversification to the Marvel Universe. As the company’s initial attempts to entice a black readership (the Falcon, Luke Cage) sputtered along with middling sales, now a similarly clumsy effort was made to reach female readers, with the launch of three comics ostensibly about feminist empowerment.2 For added authenticity (or gimmickry, depending on one’s level of cynicism), each of the three new titles was to be written by a woman. Unfortunately, there was none presently writing for Marvel, so Thomas improvised. He drafted his wife, Jeanie, Hulk artist Herb Trimpe’s new wife, Linda Fite, and comic conventioneer Phil Seuling’s wife, Carole. Lee came up with all three concepts the same day, and the titles spoke for themselves: Night Nurse, The Claws of the Cat, and Shanna the She-Devil. In the year of Helen Reddy’s “I Am Woman” and the launch of Ms. magazine, Marvel’s tales of candy stripers, cat-suited sexpots, and jungle queens could hardly be called revolutionary.3 (Lee later suggested that the title Night Nurse was a final legacy of his former boss: “Martin Goodman always thought there was something inherently sexy about nurses. I could never get inside his thinking there.”) It was a disappointing lineup from the beginning. For Fite, a former Marvel secretary and the only one of the three with writing experience, the problems began with the name of the series she was writing. “Why do we have to name it The Cat, Roy?” she asked. “Is it a catfight?”
Well, I like this. Click through to see it larger.
This is a strange one. Alex Pappademas goes to meet Stan Lee with the implied intention of raking him over the coals for the injustice done to Jack Kirby, Stan Lee’s co-creator of The Avengers, X-Men, and Fantastic Four, among others. The thing is, it doesn’t seem like Pappademas is passionate about comics, in one way or another (if he mentioned his feelings in the piece, I missed it). And after doing a fairly thorough job making the case against Lee, he lets him off the hook in the 10 minute interview. Still an interesting read.
On the other hand, I can’t conceive of any scenario in which ambushing and pissing off a man who’ll turn 90 in December will make me feel awesome. Stan has no power. He’s a pensioner whose job is to travel around walking red carpets and telling people he approves of movies other people have made based on comics he wrote in the ’60s. If Stan suing Marvel 10 years ago was like Colonel Sanders suing Kentucky Fried Chicken, confronting Stan in 2012 about the injustice done to Jack Kirby by Marvel would be like grilling Mr. Peanut about the business practices of Kraft Foods.
The Cleveland Plain Dealer recently got a Bill Watterson, creator of Calvin & Hobbes, to answer a couple questions by email on the occasion of the 15th anniversary of the comic strip ending. It’s believed to be the only Watterson interview since 1989, as Watterson has turned into the J.D. Salinger of the comic world. I’ve now got a new goal. See below and click through for examples of the wit that made Calvin & Hobbes a favorite.
What are your thoughts about the legacy of your strip?
Well, it’s not a subject that keeps me up at night. Readers will always decide if the work is meaningful and relevant to them, and I can live with whatever conclusion they come to. Again, my part in all this largely ended as the ink dried.
How soon after the U.S. Postal Service issues the Calvin stamp will you send a letter with one on the envelope?
Immediately. I’m going to get in my horse and buggy and snail-mail a check for my newspaper subscription.
Via The Daily What
If you were curious about Charlie Brown’s composite baseball statistics Wezen-Ball has calculated them for you. They’ve taken the time to go through 2 decades of Peanuts comics to provide a detailed analysis of the 60s and 70s. It’s glorious and compulsive documentation. I approve.V
Via Baseball Musings