Episode title: “Lost Horizon.” Maybe based on the 1933 novel by James Hilton, which was the origin of Shangri-La.
Episode timing: Well, they’ve moved into the McCann building. Don was supposed to be driving Sally to school. And Bert Cooper said he wasn’t ready to say goodbye to the summer, so… August? September?
This was a really bleak episode for something that takes it’s title from where Shangri-La originated, jeeze. I guess it’s a pretty bleak series. We knew this.
So the troops have mostly moved over to the McCann building. Seems like for a while (a couple seasons) each episode has been a month after the previous episode.
Don’s new office is about the same size, or maybe even bigger. The first thing he does is test the windows will throw the suicide theorists into a tizzy. Don then goes up to see Hobart and Ferg and gets pumped up. He’s getting welcomed to the club, apparently, and he seems to take a shine to it. Unfortunately, Hobart and Ferg seem to have given the same speech to Ted Chaough (Don hears the same thing said to Ted that was said to him about “taking them up a notch”). So what does that make Don? How many white whales does Hobart have? Also, Conrad Hilton might be back! In the meeting with Miller, Don realizes how much of a part of the machine he is. The meeting is made up of only half the creative directors at McCann. Ted is buying into all this, but is still amused at Don walking out of the meeting. I thought the image of Don looking out the window in the meeting was pretty corny. The VP of Connelly Research has eyes that are very close together.
Seems like this may have been the Goodbye to Joan episode. She’s getting a settlement of $250K to leave McCann, so I’m not sure what else there is to see. She got a bum rap and hit the McCann glass ceiling pretty hard. The episode started with Joan’s welcome wagon at McCann, two copywriters hoping to work with her. “If it’s in it, near it, or makes you think about it, we’re on it.” Joan takes a pass at asking Don for help in the elevator, though she hints at something being wrong. She asks Ferg for help, maybe thinking she still had juice. Ferg takes it as an opportunity to hit on her. Then she takes it to Hobart who, actually seems to be kind of a dick. She was going to take McCann to court, but Roger made her see the sense of settling for half the money that’s owed. $250K in 1970 money is about $1.5 million in 2015 dollars, so she’s still doing pretty good. “Who told you, you got to get pissed off?” “I thought you were gonna be fun.” Ferg is a slime. When Roger has to convince Joan to take the money, she obviously feels like she’s giving up more than half her money. At SCP, she was making a career and getting gratification from her than her looks for the first time. McCann took that away. “”It’s only about the money.”
It occurs to me that this may have been the Goodbye to Roger episode, too, though I hope not. He and Peggy drinking in the SCP office was a fun romp (especially the Peggy rollerskating around the office). Roger needed someone to talk it all out with, to say goodbye with. “We all have regrets.” “No, I did it, I just needed a push.” He tells Peggy a story about the Navy, he was scared, and just needed a push. I’m not totally sure how this applies. If I had more time, I bet I could figure it out. Who knew Roger could play the organ! Peggy walking into the office with the sunglasses, cigarette, and painting was pretty awesome!
Something else occurred to me during the Peggy/Roger scene, though. SCP wasn’t great for women or minorities, but it was certainly better than McCann. Joan and Peggy were able to grow their roles at SCP, but we’ve already scene Joan pushed down, and Ferg hinted Peggy would be, too. They think Peggy is a secretary and can’t even get her office set up. In any case, “You’re very amusing.” Roger’s secretary, Shirley, implied that SCP was an alright place to work.
This couldn’t also be the the Goodbye to Betty episode, is it? When Don goes to pick up Sally, she’s reading a Freud case study, “Dora,” which is about a woman diagnosed with hysteria, with loss of voice as a symptom. Telling!
So than Don decides to Racine (Hey, Bert!) looking for Diana, but “she’s a tornado, leaving a trail of broken bodies behind her.” Don wants to find her because, “she seems so lost.” I don’t know if I realized before that she’s the female Don Draper. Or rather, the messed up Don from a few years ago. I don’t really want to talk about this very much.
The scene where Don is about to pee, and then a quick cut to Roger pouring a bottle, I see what you did there, Mad Men.
Why is the SCP office in such shambles? I understand everyone just moved out, but I don’t understand why ceiling panels are missing.
Freaking Harry Crane.
Last song: Ground Control to Major Tom, I don’t think Major Tom ever did come home.